Clara Gomez, Self Portrait with Expression, Charcoal on PaperClara Gomez, Self Portrait, Charcoal on PaperThomas Arrigoni, Self Portrait with Expression, Charcoal on PaperVanessa Deleon, Self Portrait, Charcoal on PaperMichael Petrizzi, Self Portrait with Expression, Charcoal on PaperClara Gomez, Figure Drawing, Charcoal on PaperAshley Zavala, Figure Drawing, Charcoal on PaperAndrew Florez, Figure Drawing, Charcoal on PaperClara Gomez, Figure Drawing, Charcoal on PaperSamir Lesmes, Self Portrait with Expression, Charcoal on PaperElizabeth Doyle, Portrait In Interior, Charcoal on PaperElizabeth Doyle,Self_Portrait, Charcoal on PaperEsther Baek, Interior, Charcoal on PaperGoli Kocharian, Flowers, WatercolorRebecca Kobylarz, Figure 2, WatercolorRebecca Kobylarz, Figure 1, WatercolorRebecca Kobylarz, Figure 3, Watercolor Rebecca Kobylarz, Still Life, WatercolorOlivia Fusco, Still Life, WatercolorGoli Kocharian, Still Life, WatercolorIllanna Shapiro, Figure 1, WatercolorTheresa Ventre, Hand Holding Object, Charcoal on PaperTheresa Ventre, Multiple Figures, Ink on PaperAshley Williams, Birken, Charcoal on PaperDanny Argueta, Drawing on PaperDanny Argueta, Drawing on PaperRyan Roachie, The Solace In Closure, Painting
My current selection of paintings I’ve done through out 2020-21 reflect the many emotions I felt through out such a short amount of time. For the most part, a big influence on my vivid color palette is due to the vivid dreams that in many ways effect my mental state as I tend to replay them in my head and allow them to dictate my emotions in reality. I think most of the negative space in my paintings really reflect how empty the world felt and still feels as I currently feel caged in my room 24/7. Which is why I use a globe or planet type of setting with empty surfaces to kind of take myself into another planet with genderless beings who crawl these worlds. I owe a lot of my creations to the artistry in drag culture . Drag is all about self expression and in many ways could be very surreal in the way they paint their faces and dress themselves. Eyes are very prominent with the paranoia I felt through 2020. With my mother telling me “abre seu olho“ (open your eyes) every second and with the amount of anxiety I got on social media, all lead up to the use of the bloodshot eyes in my paintings.
Ryan Roachie, Caveria Caderia, PaintingRyan Roachie, Current, PaintingRyan Roachie, The Birth of Bimini, PaintingRyan Roachie,Third Eye Nightmare, Painting
Aimee Trino, Textured Portrait
Chana Tolchin, Painted Relief Surface
Lynne Birrer, Painted Relief SurfaceTheresa Ventre, PortraitAimee Trino, Many BottlesChana Tolchin, Many Bottle PaintingChana Tolchin, Many Bottle PaintingJeffrey Paquit, Finished BoxLidiya Pagano, Painted relief surfaceLarissa_LeVon-Zayas, Many Bottle PaintingLidiya Pagano, three bottles shadowLynne Birrer, Many Bottle PAINTINGRyan Roachie, Many Bottle PAINTINGTheresa Ventre, BottlesHerik Sebastian Cardenas Florez, charcoal on paperHerik Sebastian Cardenas Florez, charcoal on paper
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